LADS: Toxic Masculinity by CinemaAttic x Zero Tolerance
CinemaAttic was established in 2008 in Edinburgh as an arts and culture blog to provide a platform for thoughts and ideas about independent cinema. The…
Read MoreCinemaAttic was established in 2008 in Edinburgh as an arts and culture blog to provide a platform for thoughts and ideas about independent cinema. The…
Read MoreWales Youth Festival Network (WYFN) is an informal network for supporting film festivals and venues across Wales to screen independent films to young audiences aged 15-26.
Read MoreThis year’s (postponed) Innovation Lab focused on diversifying cinema audiences and programming through partnering venues with independent programmers who represented a wider diversity of experiences, cultures and heritages.
Read MoreIn January 2021, Exeter Phoenix worked with a freelance Cinema Outreach Coordinator, Thea Berry, to work on an audience development project aimed at strengthening their visibility to, and to find new ways to reach, audiences under 25, and Black, Asian and Minority Ethnic audiences.
Read MoreThe Hippodrome Silent Film Festival (HippFest, est’d 2011) – Scotland’s first and only festival of silent cinema centred in Scotland’s oldest cinema.
Read MoreCinema Rediscovered celebrated the return of the big screen experience in and around Bristol before going on a UK wide tour and online c/o MUBI.
Read MoreCromarty Cinema’s Young Programmers and two mentors developed a special season focused on Black Scottish history ‘straightening our history’ and women ‘stories of resilience’ of overcoming barriers.
Read MoreThe London East Asia Film Festival is the capital’s most celebrated champion of East Asian cinema, extending a hand across cultures through the dynamics of story-telling.
Read MoreBeyond Boundaries 360, in partnership with Watershed delivered a season of online film events showcasing underrepresented voices in film during lockdown. The selected programme was focused on the ideas of community, identity and belonging.
Read MoreEnsuring that during a time of desperation for survival in the exhibition industry, that already marginalised communities do not continue to be neglected.
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